packaging as content

May 3, 2012

We’re All Disposable Here

Vintage 1960′s Paul Winchell disposable razor display ($295 on eBay)

I know I did the dummy thing to death last March, but this is about another of Paul Winchell’s inventions: a disposable razor. Wikipedia lists it among his patented inventions, but other sources say different:

Paul Winchell actually invented the disposable razor, but he neglected to get a patent on it when friends told him, “Who would buy a razor just to throw it away?”

John Michaud

I’ve looked and could find no sign of a Winchell razor patent so I’m inclined to believe Michaud’s version. Still, Winchell apparently thought enough of the idea to team up with Ozzie Curtis who manufactured these disposable razors in the 1960s. (Note: the groovy typography with the safety-razor shaped “T”)

Vintage Ozzie Curtis disposable razor 2 Pack ($9.99 on eBay)

Of course, disposable razors didn’t really catch on until the disposable BIC Shaver came out in 1975. “Devoted to disposability,” BIC’s founder Marcel Bich applied the same cost-cutting, reductivist product design principles that brought his company success with ballpoint pens and disposable cigarette lighters. (BIC Shaver bag on right from Gregg Koenig’s Flickr Photostream)

By then the competition was between BIC and Gillette. The Los Angeles based “Curtis Safety Razor Company” was no longer in the running. There’s not a lot of information online about this company, but Ozzie Curtis appears to have, for a while, been a regular on the Joe Pyne show, frequently appearing in the “beef box” as Ozzie Whiffletree:

One delightful impromptu moment came when a guest hit Ozzie Whiffletree, then Pyne’s side-kick, on the nose. On camera. The fist in the face was in response to a typical Whiffletree blast: “You’re a liar, that’s what you are, and a coward, too.” The ungrammatical ranting of Whiffletree— “Put your false teeth in backwards and bite your throat” — “Thank you very large” — “I’m aggravated all a time — I wear cheap shoes and tight shorts” made Joe Pyne look almost angelic.

Whiffletree, actually Ozzie Curtis, a wealthy Los Angeles businessman, no longer is on the show.

TV Guide, 1965

Whereas Winchell and his anthropomorphic dummies, half heartedly tried to profit from the disposable trend, BIC was “all in” right from the start. Even in their public service announcement, in which anthropomorphic disposable razors discouraged littering, they did so by touting “We’re all disposable here.”

Meaning: both package and product were now disposable. But if we’re all supposed to identify with these anthropomorphic disposable razors, how are we supposed to feel about that?

(A BIC Shaver commercial and another Ozzie Curtis display, after the fold…) (more…)

April 26, 2012

Package Eats Logo

Sometimes an illustrated open mouth, depicted on a package, is not a window, but a graphic device containing the product logo. Caveman Cookies and Snackle Mouth packages both have stacked logotypes contained in the gaping mouths of their illustrated characters. (Kristina Sacci designed and illustrated the packaging for Caveman Cookies; Nate Dyer of Moxie Sozo designed and illustrated the Snack Mouth packages.)

Package design for Fresh & Easy kids cereals (by P&W) uses a similar device, except that, along with the Fresh & Easy logo, the mouths contain additional typography.

(One more example, after the fold…) (more…)

April 20, 2012

Rainbow Striped Bottles

More spectral color branding. This time: bottles.

Absolut Vodka’s 2008 limited edition bottle (marking the 30 anniversary of the LGBT gay pride flag) and a 2010 Antico Frantoio Muraglia ceramic olive oil bottle (“…made by the expert hands of skilled master ceramists and covered with rainbow stripes.”)

Earlier rainbow branded liquids include Rainbow Beverages soda bottles (an ACL label with a monochrome rainbow!) and, below: Rainbow Beer and Rainbow Whiskey, separate brands whose labels both included full-color rainbows and metallic gold borders.

Bottle photo from AntiqueBottles.net; label from Newfoundland Beer History

Label photo from Etsy; bottle photo from RubyLane

And because I like miniature stuff and I never know when to quit…

(one more, after the fold…) (more…)

April 18, 2012

Schaedler Pinwheel

Speaking of “pinwheel” logos, I remember applying for job in the late 1970s at an interesting company called Pinwheel. My partner worked at Photo-Lettering in those days and I would have liked nothing better than to have worked at the similarly high-profile firm with the cool spiral logo.

Founded by old school New York type designer, John N. Schaedler, Pinwheel was the pre-digital precursor to color-proofing companies like Kaleidoscope.

“Pinwheel color proofing produces advertising comps, package dummies, decals, TV color corrections, rub-down transfers, art for slides, sales presentations and just about everything. It can reproduce fine type and clean solids in pinpoint register. Unbelievably versatile, the process can provide one copy or hundreds, quickly, and at reasonable prices.”

The word “Pinwheel” in the ad on the right was set in Schaedler’s font, “Paprika.” (now available as Tabasco Twin) He also designed the spiral trademark, which I remember seeing printed in red, although I can find no examples of that online.

Perhaps Schaedler’s most lasting contribution to the graphic arts has been his ultra-precise “Schaedler Rule” now manufactured by his company Shaedler Quinzel, Inc. based in Parsippany, NJ.

“Taro Yamashita, a tireless staff lettering artist and photo technician at the Schaedler studio, helped design and develop the products now known as Schaedler Precision Rules. His original drawings were done by hand although computers and design software have subsequently been utilized to achieve greater accuracy and consistency.”

While desktop computers effectively put typesetting and various other graphic arts industries out of business, there is still occasionally a need for designers to measure actual stuff.

(For more spiral graphic design, see: Pillsbury)

–Randy Ludacer

February 23, 2012

XYZ Boxes

On left: Radeon’s X-shaped box for their HD 4890 graphics card; center: a Y-maze box; on right: Jeffrey Love’s Z-shaped box for Sprint’s Muziq Phone

OK, I know. One of these things is not like the others. I had a little trouble finding a suitable Y-shaped consumer package to fill out my high-concept trio.

And while the Y-maze box (above center) can serve as a temporary container for rodents, it really isn’t the letter-shaped, retail package that I initially had in mind.

None-the-less, the other two boxes are for consumer electronics and I would submit to you that there is something inherently digital about a laboratory rat (or mouse) confronting the binary choice contained in this box. (left = 1; right = 0)

(And speaking of rats & typography, see also: IlliteRAT.)

–Randy Ludacer

February 22, 2012

ABC Bottles

More to spell out on the subject of letter-shaped package design…

The drawings above are from Mikelyn Roderick’s 2003 patent for “Letter and Number Shaped” bottles.

I couldn’t find the product as envisioned here, although I did find a matching “A” and “B” bottle on eBay. I suppose the manufacturer may have originally made all 26 letter-shaped bottles, but if certain letters just didn’t sell well, those letters may have been discontinued.

Below are three vintage perfume bottles that represent my best effort at finding A, B & C shaped examples….

On left: Liz Claiborne bottle (via: Gisellez); center: Beau Belle by Bourjois (via: Perfume Projects); on right: early Chanel bottle with “C” cap (also from: Perfume Projects)

Tomorrow’s subject? X-Y-Z boxes.

(Roderick’s patent, after the fold…) (more…)

February 21, 2012

Packaging Typography

Packaging Typography: 3 kinds.

1. Letters made out of packages

The cover of Sunday’s NY Times magazine section featured some illustrated typography by Georgina Luck: letters made out of packages. Illustrating an article entitled, “How Companies Learn Your Secrets,” the entire illustration spells out “HEY! YOU’RE HAVING A BABY!”

Another example of a letter form made from different types of packaging is Richard Conn’s “R” made from crushed packaged from a 1998 show in London called “Cast of characters.” (via: All About Lettering)

2. Packaging shaped like letters

Since letters are are flat symbols, any packaging based on letter forms tends to be based primarily on the 3D block style typography. Viktoriya Gadomska’s Vitamin boxes (A–F) and the “MILK” carton by Julien De Repentigny & Gabriel Lefebvre are examples of this approach.

(3rd kind of Packaging Typography, after the fold…) (more…)

February 9, 2012

2 More Design Patent Bottles by Donald Deskey

In addition to Tuesday’s patents for toothpaste tubes and other patented package designs by Donald Deskey, I recently found design patents for the bottles above.

Similar to the detective work that the bottles from Dead Horse Bay presented, finding a patent for a package design and then finding a photo of the actual retail package can be a difficult job. But somebody’s got to do it.

The 1951 patent drawing on the right was easy. It’s Joy Dishwashing Detergent. The patent drawing on the left from 1948 was much harder. I’ll tell you about that one tomorrow.

(More Joy, after the fold…)

(more…)

February 7, 2012

Donald Deskey’s Toothpaste Tubes

Among the many brands that Donald Deskey designed packaging for, was Crest Toothpaste.

Mr. Deskey’s packaging designs are some of the most memorable and ubiquitous. A 20-year association with the Procter & Gamble Company included the design of dozens of household products, including the packaging for Crest toothpaste, which has not changed since its introduction in the 1950’s.

Donald Deskey, Innovative Designer, Dies at 94
by Suzanne Slesin, NY Times, April 30, 1989

Not that Deskey’s package design for Crest remained completely unchanged. In the 1960s Deskey’s red triangle became a left-pointing arrow for a time. (see photo below) By the 1970s the logo was changed to an italic, forward-leaning version, although the letters did retain their basic colors. More recently the dark blue and light blue letters were made the same color, although the red “C” was retained, the triangle is gone although there is still an arrow, but it points in the other direction.

Less well-known, however, were his patents —both design patents and utility patents— for collapsible toothpaste tubes…

Most of these were from the early 1940s and assigned to Bristol Myers. (Were these ever produced?) One of the patents, awarded in 1956 was assigned to Procter & Gamble, which seems related to Crest Toothpaste which was launched in 1955.

(More pictures & patents, after the fold…) (more…)

January 23, 2012

Jonna Pedersen’s Package Sculptures

Last August we featured some of Jonna Pedersen’s paintings of Danish packaging.

Her contribution to the upcoming, Global Village 2012 show in Alkmaar, Holland, includes two over-sized package sculptures: a Maggi Bouillon box (above) and the margarine package on right.

–Randy Ludacer

January 12, 2012

Purple Cow Packaging

Vintage Holloway’s Purple Cow candy wrapper from Jason LieBig’s Flickr Photostream; William’s Purple Cow Lager can from The Beer Can Guide; Milka Chocolate’s purple cow shaped folding carton (via: Packaging of the World); a vintage “purple cow” fruit label for Washington apples for sale on eBay ($250)

Based on an 1895 poem by Gelett Burgess, a “purple cow” generally meant something “out of the ordinary” or something you don’t see every day. As depicted in these vintage packages, each with its whimsical cow illustration, the concept was fine.

I’m not so accepting of the new over-arching definition of “purple cow” as something remarkably innovative, as set forth in Seth Godin’s book, Purple Cow: Transform Your Business by Being Remarkable. Because of this book, some people are now calling any ground-breaking, category disrupting product a “purple cow.”

For some reason, I find this new meaning a loathsome thing. To me, the name “purple cow” diminishes the hard work of innovation, making it sound like something merely capricous.

I doubt Steve Jobs would ever have given one of Apple’s products as insipid a name as “purple cow” and yet all over the place there are people now saying that the iPad and the iPhone are “purple cows.”

You need look no further than the scapbooking craft company The Purple Cows to understand the uncool connotations that this name carries.

Randy Ludacer
Beach Packaging Design

December 16, 2011

Clown Cereal

Clown cereal boxes (Kellogg’s, General Mills & Post) were, I think, all from Dan Goodsell’s Flickr Photostream

My early childhood was spent in Sarasota, Florida, home of the Ringling Bros. and Barnum & Bailey Clown College.

While clowns have been culturally waning for some time now, in those days, there was a show called “Circus Boy” on television (starring a young Micky Dolenz who grew up to become the Monkee‘s drummer) and there were lots of circus-themed packages at the grocery store. Not yet scary, clowns were still considered a good way to market children’s cereals.

Why the sudden interest in clowns, you ask?

(Asked and answered, after the fold…)

(more…)

October 28, 2011

Homophonic Consumer Confusion: Oxol Doll ≠ Oxydol

On left: a bottle of “Oxol” cleaner from a 1929 ad appearing in The Kingston Daily Freeman; on right: an Oxydol box for sale on eBay for $17.90

In the previous post we compared Oxydol’s early package design to Opal’s stunningly similar packaging. Same basic design, but different product categories — so no trademark infringement there.

Oxydol and Oxol, on the other hand, were both cleaning products. Their package design was not confusingly similar, but the manufacturers of these two products were nonetheless pitted against each other in the landmark trademark infringement case of PROCTER & GAMBLE CO. v. J. L. PRESCOTT CO.

In testimony about an ongoing Oxol radio promotion, Procter & Gamble set out to prove that Oxol had deliberately chosen a “doll” as a free product premium, in order for its “Oxol doll” to be mistaken for “Oxydol” and “sought to profit by the confusion that would result.”

“When you buy a bottle of Oxol, take the label off and send it to the Oxol trio in care of this Station, or address your letter to the J. L. Prescott Company, Passaic, New Jersey. … In return, they will send you the gaily colored "Oxol" rag doll that children love. … And don’t forget to send in an Oxol label for one of those little Oxol Rag Dolls.” The substance of this broadcast was repeated many times. Upon several occasions radio announcers referred directly to the “Oxol doll”. Instructions for completing the “Oxol doll” were sent to all who requested the doll from the Prescott Company.

It is obvious that when the tongue pronounces the words “Oxol doll”, or when the mind operates to put these two words together, a connection in thought between Procter & Gamble’s product and Prescott’s product is inescapable. Such a connection must have occurred to the Prescott Company. Why then was such advertising made use of? The answer is obvious. Ground for mistake in the public mind as to Oxydol and Oxol was well laid and the resulting confusion may not be described as a coincidence.

Confusion as to which company was offering the doll in return for the label immediately came to pass and this was admitted by one of Prescott’s officers. Many housewives sent Oxydol labels to Procter & Gamble and demanded the Oxol doll. An examination of the letters in evidence seems to indicate that the persons writing them were ordinary members of the purchasing public. One housewife wrote, “Am sending the clip off of the Oxydol box. Would you please send us one of your rag dolls…”. Another wrote, “Enclosed is a clipping from Oxydol. Kindly send me a rag doll, as promised over Radio.”

PROCTER & GAMBLE CO. v. J. L. PRESCOTT CO., 1931
via: Leagle.com

Assuming that the correct product label was sent, what the Oxol customer ultimately received via return mail was this:

Above: the “Oxol Doll” and the envelope that it came in (via: eBay)

Looks more like a paper doll than the “rag doll” they advertised, but “truth in advertising” is perhaps not so stringent when it comes to free promotional items.

(See also: Packaging and Consumer Confusion)

Randy Ludacer
Beach Packaging Design

October 21, 2011

Luxury Brand Package Design for Kids’ Cereals

Tricia Clarke-Stone’s Cereal Couture:

“I wanted to take something we all crave and give it a luxury lift. This tasty, chic collection gives a high-end, glam aesthetic to our favorite breakfast treats.”

Sip, Chat, Chow | The Glam Foodie

via: MKTG

(For a different take on “top shelf” kids’s cereals, see: Stealing Box Tops)

Randy Ludacer
Beach Packaging Design

October 3, 2011

Yesterday And Today

Yesterday I read in the Times, that photographer, Robert Whitaker has died.

Today I’m learning more about the two photos he took that were each used as the cover photo for the Beatles’ “Yesterday and Today” LP.

I knew that both photos were sometimes there simultaneously, one on top of the other.

I first learned about the “butcher” cover in 1969 when was in 9th or 10th grade. Visiting Clarissa and her fraternal twin sister, Clara, I noticed that their copy of the Yesterday and Today album looked different from the one I had. The title font was the same (“Siegfried” by Dieter Steffmann) but the photo was different.

I was amazed to hear that, by peeling off the photo of the Beatles with the prop trunk, Clarissa had revealed the photo of the Beatles with the prop doll parts and raw meat, printed underneath.

She told me that it was some kind of censorship thing—that people had been offended by the raw meat in conjunction with the doll parts on the original cover.

I remember going straight home and peeling up a corner of the photo on my copy of the record and being pretty bummed out that I did not find any hidden raw meat.

Reaction was immediate, as Capitol received complaints from some dealers. The record was immediately recalled under orders from Capitol parent company EMI chairman Sir Joseph Lockwood …

Capitol initially ordered plant managers to destroy the covers, and the Jacksonville plant delivered most of its copies to a landfill. However, faced with so many jackets already printed, Capitol decided instead to paste a much more conventional cover over the old ones. The new cover, featuring a picture of a less-than-content band posed around an open steamer trunk, had to be trimmed on the open end by about 3 mm (1/8 inch) because the new sheet, known as a “slick”, was not placed exactly “square” on top of the original cover. Tens of thousands of these so-called “Trunk” covers were sent out. As word of this manoeuvre became known to the public, owners of the altered cover attempted, usually unsuccessfully, to peel off the pasted-over cover, hoping to reveal the original image hidden beneath. Eventually, the soaring value and desirability of unpasted-over Butcher covers spurred the development of intricate and complex techniques for peeling the Trunk cover off in such a way that only faint horizontal glue lines remained on the original cover…

from Wikipedia’s entry about “Yesterday and Today”

What surprises me now, is to learn the extent to which a whole cottage industry with special terminology has sprung up around this minor branding fiasco and the concealed album covers.

Copies that have never had the white cover pasted onto them, known as “first state” covers, are very rare and command the highest prices. Copies with the pasted-on cover intact above the butcher image are known as “second state” or “pasteovers”; today, pasteover covers that have remained unpeeled are also becoming increasingly rare and valuable. Covers that have had the Trunk cover removed to reveal the underlying butcher image are known as “third state” covers; these are now the most common (and least valuable, although their value varies depending on how well the cover is removed) as people continue to peel second state covers. The most valuable and highly prized First and Second State Butcher Covers are those that were never opened and remain still sealed in their original shrink wrap. Since the first documented collector’s sale of a mono Butcher cover LP in 1974, which fetched US $457.00, the value of first state mono versions has consistently appreciated by around 100% per year.

In 1987, former president of Capitol Records, Alan Livingston released for sale twenty-four “first state” butcher covers from his private collection. When the original cover was scrapped in June 1966, Livingston took a case of already-sealed “Butcher” albums from the warehouse before they were to be pasted over with the new covers, and kept them in a closet at his home. These albums were first offered for sale at a Beatles convention at the Marriott Hotel near Los Angeles International Airport on Thanksgiving weekend 1987 by Livingston’s son. These still-sealed pristine items, which included nineteen mono and five stereo versions, are the very rarest “pedigree” specimen “Butcher Covers” in existence. These so-called “Livingston Butchers” today command premium prices among collectors, the five stereo versions being the most rare and valuable of these. In April 2006, Heritage Auction Galleries sold one of the sealed mono “Livingston Butchers” at auction in Dallas for about $39,000.

There are also websites specifically devoted to devotees of this record cover — thebutchercover.com, for example.

(More photos from Robert Whitaker’s “butcher” session, after the fold…)

(more…)

September 8, 2011

Cigarettes & Cat Food

“Some people with NSRED [nocturnal sleep-related eating disorder] have even been known to eat cigarettes and cat food.”

TheStressOfLife.com

______________________________________________________

The Broward Sheriff’s Office said Thursday it was looking for two men suspected of burglarizing more than a dozen vehicles in Parkland.

Deputies said the men are suspected of breaking into a man’s Cadillac in Parkland on July 1 and stealing a wrist watch and a credit card. The suspects then went on a shopping spree at a CVS pharmacy in Boca Raton, buying cat food and cigarettes, authorities said.

Sun Sentinel, 2007

______________________________________________________

“He draped a black sheet over the picture window in his bedroom and did not answer the phone. He went out only to buy cigarettes and cat food, wearing a black sweatshirt, the hood pulled down over his eyes.”

Mental Health: The Profession Tests Its Limits
By Erica Goode and Emily Eakin
NY Times, September 11, 2002

For people in a certain demographic group we’ll call “cat-loving smokers,” these two items —cigarettes & cat food— form their most pared down, irreducible shopping list of basic necessities.

The cigarette packs and cat food cans pictured above, however, are shown together, not because my shopping list has come to that, but because they are each examples of “incomplete package design” — packages that may look a little incomplete by themselves, but are designed to form a larger whole when combined.

1. Cigarettes

These, of course, are the same Winston cigarette packages that we were wondering about yesterday. We now know that these were designed in 1997 by Kevin Flatt as a Senior Designer for Duffy.

The packaging was featured at length in the July 1997 issue of “Caravan” the in-house magazine of R.J.Renolds.

“The new packaging style carries the traditional Winston family fonts and red-white-red color scheme, but takes on a contemporary feel with a wraparound pack.”

via: Tobacco Documents Online

2. Cat Food

Milton Glaser’s extensive redesign for Grand Union (1970s though 1980s) included the cat food box (above, left) in which cropped cat photos on the front of the boxes, combined to form whole cats when displayed in a group. (See inset photo on right from: The Graphic Designer’s Guide to Clients)

“…some fun with partial images that relies upon store workers to line up the boxes correctly.”

A Grand Union, Beth Kleber
October 6, 2010
Container List, Glaser Archives

Grand Union’s canned cat food, also included some fun with partial images. The pet food packaging on right is from the portfolio of Blake Waldman (Paperkut Design) who was a Junior Designer at Milton Glaser, Inc. from 1989-1990.

Waldman also designed a 2002 version of the Winston wrap-around pack called the “Evo flask.” See: Winston debuts ‘flask’ pack

(And apropo of nothing: Yogi Berra on Camel Cigarettes and Puss ’n Boots Cat Food, after the fold…)

(more…)

September 7, 2011

Winnowing Down the Winston Logo

Not sure what year these cigarette packs are from. The truncated typography struck me as a similar package design idea to the recent Turner Duckworth soda can with cropped Diet Coke logo that we were discussing a couple of weeks ago.

Probably not accidental that the portion of the Winston logo that shows here, also happens to spell the word “win.” All of these cigarette packs seem to also come in an italicized version. I have no idea what, if anything, the italic version of this logo might indicate about the product. Other than suggesting Winston’s “winning” forward momentum.

Photos above are from Cigarettepedia. Photo on right is from Roswell62’s Flickr Photostream.

(Some earlier Winston typography, after the fold…)

(more…)

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