Box Vox

packaging as content

May 14, 2012

Labeling a Klein Bottle


ACME brand Klein bottles (via)

Felix Klein’s non-orientable, one-sided surface was not originally imagined as a container, but was labeled as such because of a German pun:

The Klein bottle was first described in 1882 by the German mathematician Felix Klein. It may have been originally named the Kleinsche Fläche (“Klein surface”) and that this was incorrectly interpreted as Kleinsche Flasche (“Klein bottle”), which ultimately led to the adoption of this term in the German language as well.

–Wikipedia

At lease one source asserts that Klein’s surface was, for a time, called the Klein jar, but I could not confirm this.

When did they change its name from “Klein Jar” to “Klein Bottle”? Look in any projective geometry book published before, say, 1960 and you will see the above “bottle” referred to as a “Klein Jar.”

Whatever you call it, a Klein surface can serve as a container, albeit a fairly impractical one. If we accept that it’s a container, then what sort of label does it get?

If you draw the letter “R” on a clear label, then slide that label around the outside of a sphere, when you return it to the same place, the letter looks exactly the same. So a sphere is orientable. On a Klein Bottle, you can slide that label around so that the letter reads backwards. To do this, you’ll have to slide the label all the way inside the Klein Bottle (you’ll need a long pipecleaner). When it’s on the other side of the glass from where it started, the label will read as the mirror image. That’s nonorientable.

ACME Kline Bottle FAQ

This idea of the label sliding on its one-sided surface all the way into the inside of the Klein bottle and then being backwards, is a recurring theme.


Labeled Klein bottle (via Matematita); Poster by IDeAS

The image on the left demonstrates the backwards inner label. The Klein bottle on the right is decorated with an abstract symmetrical design which would look the same whether it was on the inside or the outside. (A good idea for Klein bottle branding: ambigrams.)

While ACME does not, for the most part, label their bottles, they do sell a flask with their logo…

… and that logo employs backwards & forwards type on a Mobius strip to highlight the product’s non-orientability.

(The “Klein stein” and filling a Method/Klein bottle, after the fold…) (more…)

April 26, 2012

Package Eats Logo

Sometimes an illustrated open mouth, depicted on a package, is not a window, but a graphic device containing the product logo. Caveman Cookies and Snackle Mouth packages both have stacked logotypes contained in the gaping mouths of their illustrated characters. (Kristina Sacci designed and illustrated the packaging for Caveman Cookies; Nate Dyer of Moxie Sozo designed and illustrated the Snack Mouth packages.)

Package design for Fresh & Easy kids cereals (by P&W) uses a similar device, except that, along with the Fresh & Easy logo, the mouths contain additional typography.

(One more example, after the fold…) (more…)

April 25, 2012

Mouth-as-window: Package Eats Product


Top: Tequechongos!; 2nd row: Dusan Čežek’s Booster Engery 4-pack box; 3rd row: Design Herynek’s Adriana Mini-Pasta; bottom: Kanikko crab-shaped candy crab packaging

The 1971 ad for two discontinued Tootsie Roll products (Tootsie Tots & Tootsie Jesters ad from Gregg Koenig’s Flickr Photostream) reminded me that I’d been seeing more mouth-shaped windows on packages lately. Maybe now’s a good time for another round up.

Most of it’s food packaging, of course, but not all. As previously observed, when gaping mouths appear on packaging, they are not human mouths.

But seeing them all together, what’s really notable is that they are all illustrations. No photography.

I always liked the simplicity of seeing the product through a mouth-shaped window. As a consumer you’re invited to identify with the character (animal, monster, etc.) and imagine that product in your mouth.

There are also packages that open in mouth-like ways to dispense the product, but however clever these solutions, unless you’re a baby bird, there’s something off-putting about the idea of taking food from another mouth.


Colgate’s 2011 cross marketing effort to sell toothpaste from within a pizza box

Preston Grubbs (whose Spherical-Wedge Juice Packs we looked at last month) connects a chain of three boxes to form a puppet-like “S’mores” kit, in which the upper and lower boxes form a monster character’s mouth and the middle box serves as a sort of “serving suggestion.”

(A non-food monster pack example, after the fold…) (more…)

April 24, 2012

Candy-Colored Stripes


Fruit Stripe gum photo from MeBeMelissa’s Flickr Photostream; the other three wrappers are from Jason Liebig’s Flickr Photostream

With multicolored products lines, colors are often used to differentiate between fruit flavors. When candies come in assorted packages, those assortments are often represented by candy-striped, rainbow colors. Skittles, of course, also uses this idea in their tagline, but lots of candy makers do the basically same thing.


1989 Skittles wrapper with “Rainbow Machine” offer from Jason Liebig’s Flickr Photostream


1950s Life Savers 5-Flavors wrapper from Jason Liebig’s Flickr Photostream

The color stripes on a roll of assorted Life Savers make a sort of orthographic diagram of the contents. Technically not a “rainbow” since non-consecutive colors are adjacent, and yet multi-colored stripes will invariably convey the rainbow idea. Note: 5 flavors, but only 4 different colors.


Back of a 1986 box of Circus Fun cereal from Jason Liebig’s Flickr Photostream

The illustration for this Circus Fun cereal, “free Life Savers” offer, clearly represents a rainbow and also adds an additional lighter yellow to represent the fifth flavor.

In the 2010 “retro” package, above, Life Savers rearranged the color order, creating a bona fide rainbow striped wrapper. (Photo via: A Treasury of…)


Beech-Nut Fruit Stripe pack from a vintage ad on Jason Liebig’s Flickr Photostream

Similar to the the Life Saver 5-Flavor assortment, Fruit Stripe gum’s also had five flavors, but only 4 colors in their technically incorrect rainbow. Not that there’s anything wrong with that. They were always more about the stripes than the rainbows. Love their ad in black and white. (See also: Trix Cereal Colors in black & white)


Beech-Nut Assorted Candy Drop wrapper from Jason Liebig’s Flickr Photostream

An earlier Beech-Nut wrapper for Assorted Candy Drops, however, does use uses a rainbow sunburst with colors in correct spectral order.

(More candy stripes, after the fold…) (more…)

April 20, 2012

Rainbow Striped Bottles

More spectral color branding. This time: bottles.

Absolut Vodka’s 2008 limited edition bottle (marking the 30 anniversary of the LGBT gay pride flag) and a 2010 Antico Frantoio Muraglia ceramic olive oil bottle (“…made by the expert hands of skilled master ceramists and covered with rainbow stripes.”)

Earlier rainbow branded liquids include Rainbow Beverages soda bottles (an ACL label with a monochrome rainbow!) and, below: Rainbow Beer and Rainbow Whiskey, separate brands whose labels both included full-color rainbows and metallic gold borders.


Bottle photo from AntiqueBottles.net; label from Newfoundland Beer History


Label photo from Etsy; bottle photo from RubyLane

And because I like miniature stuff and I never know when to quit…

(one more, after the fold…) (more…)

April 6, 2012

Lion Bar Egg Package

Not sure what the connection is between lions and Easter eggs, but I do like this Nestlé Lion Bar milk chocolate egg & 2 Lion Bars box.


Photo from Elysia in Wonderland’s Flickr Photostream

(More about lions, eggs and The Troggs, after the fold…) (more…)

March 27, 2012

The First Really Modern Shampoo

I like the way this 1955 Life Magazine ad for “Mennen shampoo for men” (on left) touts the modernity of its bottle design.

Finally! A modern shampoo for modern man. In a slip-proof, unbreakable bottle.

The patent drawing on the right is a “combination shampoo bottle and massager.” Clearly, these two bottles were related, but I wasn’t sure how. The patent, by Charles M. Zampetti, was obtained three years after the ad, in 1958. So the design patent didn’t appear to cover the Mennen Shampoo bottle’s design. And the patent was not assigned to Mennen…

(Patent-puzzle solved, after the fold…) (more…)

March 7, 2012

Trix Cereal X-Ray Pack

About a year ago, we featured some package design by Mark Oliver, Inc. (above, left) that used actual-sized product photography of cereal to cover the outside of some Vita Crunch cereal boxes. Not just a photo of cereal in a bowl with milk, but a continuous, all-over pattern of cereal covering the front, tops and sides of each box. As if the boxes were transparent and we could see the contents inside. (See also: Packaging & What Lies Beneath)

“The client wanted to sell breakfast cereals priced at 99 cents each. The budget was tight and limited to process color. We made the product the hero. We laid it on scanners to record, used 3-D type to grab attention, and created distinctive, fun, colorful boxes that jump from the shelves.”

Later I saw this Trix Cereal packaging and realized that there had been an earlier precedent for this kind of X-ray package design for cereal.

Above: the introductory Trix ad from a 1956 issue of Life Magazine.

These earlier, rabbit-less Trix packages were a revelation to me… modern, in the same way that Jackson Pollack’s “allover” drip paintings were considered modern in  those days…

“Allover painting refers to a canvas covered in paint from edge to edge and from corner to corner, in which each area of the composition is given equal attention and significance. This is a radically different approach from modes of painting that offer specific focal points, such as the sitter’s face in the case of a portrait. With an allover composition, our eyes are invited to wander the canvas from the top to the bottom, following lines, shapes, and colors.”

Allover Painting, Museum of Modern Art

As a kid, I was convinced that I could correctly identify colors on black & white television. Perhaps it was advertising like this that gave me this idea. Above, is a screen shot from one of the earliest black & white TV commercials for Trix. The way they labeled the colors on screen (raspberry red, orange, lemon yellow) reminds me of Jasper Johns’ allover paintings from around the same time.

Below: Jubillee and False Start from 1959. (via: Flourishing Mirth)

(More Trix-ray vision, after the fold…) (more…)

February 24, 2012

Bottled Can(s)

This photo is from a 2004 Diet Pepsi ad by BBDO Proximity, entitled “Bottled Can.”

Such a simple photo, but its full import was not always fully understood…

“A can of diet Pepsi has been kept inside the bottle to depict the low-calorie quality of the drink. Moreover, a slim body can always be best depicted in the shape of the bottle rather can.”

Ad Punch

Never mind that it’s one brand being contained, like a Trojan Horse, in the packaging of its rival!

In this ad, the cross-referential idea of one type of packaging containing another, has largely overshadowed the more confrontational “brand versus brand” thing. (See also: Blended Soda Brands and The Concept of Coke & Pepsi)

Also hip: the “packaging contrapposto” whereby the neck of the Coke bottle points one way while the business end of the Diet Pepsi can points the other way. (See also: Cocktail in a Toothpaste Tube)

Beverage advertising, however, is not the only context for a can to be situated within a bottle. I have two more examples…

1. There is a method of making contaminated water safe to drink that employs a soda can within a larger, PVC bottle as a pasteurizing apparatus.

Eric Marlow’s 2008 soda bottle pasteurizer is shown on upper right. David Delaney’s 2003 soda bottle pasteurizer is shown on lower right.

2. The other example involves beer rather than soda. In the category of supposedly humorous breweriana, in the subset of “emergency” drinking supplies you will find various versions and brands of the “In Case of Emergency, Break Glass!” gag…

(On eBay, and after the fold…)

(more…)

February 22, 2012

ABC Bottles

More to spell out on the subject of letter-shaped package design…

The drawings above are from Mikelyn Roderick’s 2003 patent for “Letter and Number Shaped” bottles.

I couldn’t find the product as envisioned here, although I did find a matching “A” and “B” bottle on eBay. I suppose the manufacturer may have originally made all 26 letter-shaped bottles, but if certain letters just didn’t sell well, those letters may have been discontinued.

Below are three vintage perfume bottles that represent my best effort at finding A, B & C shaped examples….


On left: Liz Claiborne bottle (via: Gisellez); center: Beau Belle by Bourjois (via: Perfume Projects); on right: early Chanel bottle with “C” cap (also from: Perfume Projects)

Tomorrow’s subject? X-Y-Z boxes.

(Roderick’s patent, after the fold…) (more…)

February 21, 2012

Packaging Typography

Packaging Typography: 3 kinds.

1. Letters made out of packages

The cover of Sunday’s NY Times magazine section featured some illustrated typography by Georgina Luck: letters made out of packages. Illustrating an article entitled, “How Companies Learn Your Secrets,” the entire illustration spells out “HEY! YOU’RE HAVING A BABY!”

Another example of a letter form made from different types of packaging is Richard Conn’s “R” made from crushed packaged from a 1998 show in London called “Cast of characters.” (via: All About Lettering)

2. Packaging shaped like letters

Since letters are are flat symbols, any packaging based on letter forms tends to be based primarily on the 3D block style typography. Viktoriya Gadomska’s Vitamin boxes (A–F) and the “MILK” carton by Julien De Repentigny & Gabriel Lefebvre are examples of this approach.

(3rd kind of Packaging Typography, after the fold…) (more…)

February 17, 2012

Collapsible Spiral Bottles

Following the spiral thread a bit longer, there’s been quite a bit of inventive energy spent on making bottles collapse in a spiral pattern.

Similar to the accordion bottles we looked at last year, except that each of these bottles uses a helix-shaped bellows, rather than a bellows built from congruent circles.

These packages are also designed to take up less space after use. Similar to Jiwoon Park and Kwenyoung Choi’s twistable “Nnew Can” concept (see: Helix Redux) there is something intuitive and interactive about crushing a pack by twisting.

The patent drawings above are from 1993, 2010 & 2011.

Alessio Venturi’s “Spiral Bottle” concept, on right, won an honorable mention in the 2004 Macef Design Awards:

DREAM OF ECOLOGICAL BOTTLE

The characteristic SPIRAL shape, besides assuring as easy identification of the product, involves an easy management of the empty which will be reduced in size by pressing it and will not occupy much room in the dustbin.

(via: DesignBoom)

(Norwood, Dickie, and Jung’s patented bottles, after the fold…) (more…)

February 14, 2012

Hearts & Packaging



Top left: Jamie Nash’s bee’s wings heart illustration for Lovely Honey; top center & 2nd row left: because olive oil is “heart healthy,” Soporte Comunicación’s package design for “Secret to Live” Olive Oil uses olive parts to make whole hearts (see also: The Incomplete Package); on right: Ralph Lauren “Love” perfume in its limited edition “Heart of Gold” bottle; lower right: Vanguard Creation’s faceted, heart-shaped bottle for Diesel’s “Loverdose”

Some heart-related packaging for Valentine’s Day. ♡

–Randy Ludacer

February 13, 2012

Vertical-Horizontal Jar

An unusual example of vertical/horizontal ambidexterity in packaging: Glen Robert Carpenter’s 1937 “Design for a Jar.”

Like Donald Deskey’s 1954 Drene carton (or the 2008 Lego Fruit Snacks box), this jar can be displayed in two positions. I don’t know what product this jar was meant to contain… maybe a counter dispenser jar for candy?

(Carpenter’s package  design patent, after the fold…)

(more…)

February 10, 2012

Getting a Grip on Deskey’s Bottle Design

As promised, the brand identity of yesterday’s mystery bottle is now revealed. At first I thought it might be for a men’s product since there’s something tool-like about its hand-grip shape. Incorrect.

Turns out, it was designed to contain Drene Shampoo. Difficult to figure this out, however, since this brand no longer exists.

Originally, soap and shampoo were very similar products; both containing the same naturally derived surfactants, a type of detergent. Modern shampoo as it is known today was first introduced in the 1930s with Drene, the first shampoo with synthetic surfactants.

from Wikipedia’s entry on Shampoo

Presumably, since Deskey’s patented 1949 bottle design was assigned to Procter & Gamble, it was also he who designed the graphics for the bottle label and the carton that the bottle came in.

Five years later the Drene Shampoo packaging was redesigned again, although the bottle shape remained unchanged. (The photo and the quote below are via Al Q’s Flickr Photostream…)

New Drene carton is a completely new design – by Don­ald Deskey Associates — due to increasing sales of the shampoo through supermarkets and grocery chains. New design has cosmetic appeal, bold display, and a flexibility of display that permits placing the carton in a horizontal or vertical position. Designer’s second most important contribution (the new carton was the first) was the re­search and development of printing inks in colors which would meet the specifications set by the client. Ink speci­fications are very critical and only inks that will with­stand product tests, fade tests, and scuff tests, are accept­able. Until recently, chartreuse and purple colors could not be formulated to meet the requirements. Deskey’s third most important contribution was the development of a package design that has been an inspiration to the advertising agency in the preparation of outstanding and revolutionary advertising art work.

from “Industrial Design In America” 1954

Interesting to note this early example of a package being designed to work both horizontally and vertically. Not all product manufacturers care about this idea, but it does gives a store more display options. (See: Lego Fruit Snacks)

(More about Deskey’s Drene and it’s finger grip shape, after the fold…) (more…)

February 9, 2012

2 More Design Patent Bottles by Donald Deskey

In addition to Tuesday’s patents for toothpaste tubes and other patented package designs by Donald Deskey, I recently found design patents for the bottles above.

Similar to the detective work that the bottles from Dead Horse Bay presented, finding a patent for a package design and then finding a photo of the actual retail package can be a difficult job. But somebody’s got to do it.

The 1951 patent drawing on the right was easy. It’s Joy Dishwashing Detergent. The patent drawing on the left from 1948 was much harder. I’ll tell you about that one tomorrow.

(More Joy, after the fold…)

(more…)

February 7, 2012

Donald Deskey’s Toothpaste Tubes

Among the many brands that Donald Deskey designed packaging for, was Crest Toothpaste.

Mr. Deskey’s packaging designs are some of the most memorable and ubiquitous. A 20-year association with the Procter & Gamble Company included the design of dozens of household products, including the packaging for Crest toothpaste, which has not changed since its introduction in the 1950’s.

Donald Deskey, Innovative Designer, Dies at 94
by Suzanne Slesin, NY Times, April 30, 1989

Not that Deskey’s package design for Crest remained completely unchanged. In the 1960s Deskey’s red triangle became a left-pointing arrow for a time. (see photo below) By the 1970s the logo was changed to an italic, forward-leaning version, although the letters did retain their basic colors. More recently the dark blue and light blue letters were made the same color, although the red “C” was retained, the triangle is gone although there is still an arrow, but it points in the other direction.

Less well-known, however, were his patents —both design patents and utility patents— for collapsible toothpaste tubes…

Most of these were from the early 1940s and assigned to Bristol Myers. (Were these ever produced?) One of the patents, awarded in 1956 was assigned to Procter & Gamble, which seems related to Crest Toothpaste which was launched in 1955.

(More pictures & patents, after the fold…) (more…)

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