September 30, 2009
Another fishing lure. The Shmoo Plug-Bait. (All photos from Fishing for History)
We’ve alluded to shmoos here at least once before, and we will again. As a creature “who loved to be eaten by humans and tasted like any food desired” Al Capp’s shmoo would seem to be the model for guilt-free consumption. (The product wants to be consumed.) As for the Shmoo fishing lure:
In upstate New York, Richard Balch, director of one of the largest tackle manufacturers in the country, got caught up in Shmoomania like everyone else. Unlike most, however, Balch had an idea, and that idea would morph into one of the neatest fishing lures of the post-World War II era: The Shmoo…
The Shmoo bait was a neat idea. Clearly, like all Shmoo products, H-I paid a royalty for use of the L’il Abner figures directly to Al Capp. Capp himself was one of the pioneers of licensing and merchandising for cartoon figures. In a successful $14 million lawsuit against King Features Syndicate in 1947, he wrested control over his creations and thus benefited financially from its merchandising, unlike so many other less fortunate cartoonists.
Denis Kitchen © 2004
Shmoo (not Schmoo) Facts & Info
(Photo of Shmoo lures, after the fold…)
September 29, 2009
Fishing lures by Arizona-based metalsmith, Tedd McDonah made from recycled cans. Recylures. I’m no fisherman, but I sure like these as objets d’art. For sale on Etsy. (Rollover photo above to see his stockpile of used metal containers.)
Beach Packaging Design
September 28, 2009
Left: Canada Dry beverage ad (from Mississippi Pack Ratz); right: vintage Chicken of the Sea ad (from I don’t remember where)
The idea of product packages swimming around in the open sea must have seemed like a cute, whimsical notion in the 1950s. Nowadays, with the negative associations of beach pollution and the floating “garbage patch,“ it’s hard to imagine anyone in advertising floating this concept as a way of promoting consumer packaged goods.
Beach Packaging Design
September 25, 2009
Photo on left via Pop Sop
Coke bottle glasses. Two kinds.
September 24, 2009
For obvious reasons I really like Mick Rock’s photo of this English boy, outside with his cardboard guitar. (I’m guessing the kayak must have been for Regent’s Canal since I don’t see any other bodies of water on a map of Camden Town.)
We went to the opening of Mick Rock’s Glam! show on Staten Island a couple weeks ago. This photo was there.
The original cover photo for Mott The Hoople’s classic Bowie-produced album “All The Young Dudes” … Why it wasn’t used I can’t remember, nor can Ian Hunter, must have been a chemical shift.
Glam! An Eyewitness Account
A chemical shift or just a really bad executive/creative decision? The album cover that they ultimately went with—(with a 1940s-style illustration of some English public school chaps in suits)—was so crummy by comparison, it was embarrassing. (I don’t even want to stink up the blog by showing it; you can go here to see it, if you want.)
In my second year at college, I remember going to a Providence record store to buy that album and just cringing when my girlfriend at the time held it up and, from across the store, called out, “Randy, here’s Mott the Hoople!”
I think I might have held my head a little bit higher, if the English boy with the cardboard guitar had been on that album cover instead.
September 23, 2009
Originally the idea was that I’d be singing songs about packaging & playing a cigar box guitar on top of the landfill. I had even found an El Producto cigar box on eBay that I thought particularly suitable —(conflating stringed instruments: harp & guitar)—and I planned on commissioning my guitar-builder friend, Ted Crocker to turn this cigar box into a 6-string guitar for me. Unfortunately, The budget would not stretch far enough for that. So I decided instead to just give the Edison Volt a sort of packaging skin. (See: package as skin)
The skin in this case: a corrugated Tropicana shipping case. At first I was thinking of using something more pop and super-graphic. (like an economy size Tide box) But then it occurred to me that that sort of iconic branding could easily overshadow the whole enterprise, making it seem like an event sponsored by that brand. The upside down shipping carton seemed like a way around that, and it happened to coordinate with the brown kraft labels of the DIY CD packaging.
Although box vox had very little to say about last year’s Tropicana branding brouhaha, I could not resist referencing it now in my own small way. (The new orange-shaped cap serves as my tone control knob.)
Beach Packaging Design
September 22, 2009
Via Packaging Digest: a right triangle prism-shaped box for Lakeland Tri-Ply pots and pans. Designed by UK-based Nicepond, these close-packing boxes set themselves apart by making unusually efficient use of space and materials. (Also opens up a number of different display options.)
(Package display options, after the fold…)
September 21, 2009
Marlboro & Uniflow radios from Michael Jack’s Transistor Radios Flickr Photostream; PET Evaporated Milk & Folgers Coffee radios from Gasoline Alley Antiques; the others from eBay
(Another packaging/radio after-thought, after the jump…)
September 18, 2009
“… once the product has been used up, and the package is empty, it becomes suddenly visible once more. This time, though, it is trash that must be discarded or recycled. This instant of disposal is the time when people are most aware of packages. It is a negative moment, like the end of a love affair, and what’s left seems to be a horrid waste.”
Thomas Hines, The Total package
The moment of packaging disposal may be a downer for the consumer, but after the garbage and recycling trucks pull away from the curb, those “suddenly visible” packages become invisible once more. What happens next is something that many people wonder about.
Elizabeth Royte, in her book, Garbageland, did the environmental sleuth-work of trying to track down exactly where her family’s garbage came to rest, after it left the curb.
Now, in yesterday’s NY Times, I see that researchers have begun using electronic tracking devices attached to individual pieces of trash to learn more about the fate of of what we discard into our municipal waste streams:
Through the project, overseen by M.I.T.’s Senseable City Laboratory, 3,000 common pieces of garbage, mostly from Seattle, are to be tracked through the waste disposal system over the next three months. The researchers will display the routes in real time online and in exhibitions opening at the Architectural League of New York on Thursday and the Seattle Public Library on Saturday…
Brett Stav, a senior planning and development specialist for the Seattle Public Utilities, which collects about 2,100 tons of trash and recyclables a day, said that aside from the help with logistics, he saw “tremendous educational value” in the experiment.
“There is this hidden world of trash, and there are ramifications to the choices that people make,” Mr. Stav said. “People just take their trash and put it on the curb and they forget about it and don’t think about all the time and energy and money put into disposing of it.”
Following Trash and Recyclables on Their Journey
NY Times, September 16, 2009
(Liquid Soap bottle tracking map, landfill packaging song, and more, after the fold…)
September 17, 2009
In the 1950s, Diet Delight used an anthro-pack mascot in their advertising. Sort of a counter-intuitive shape for a diet product spokes-model, but I guess this was before the days when tin cans could have waistlines. (See: package as body)
Perhaps she’s meant to represent the “before” concept. Still, she seems to be condemned to her own special brand of hell… her feet stuck to a bathroom scale, perpetually checking her weight for all eternity. (Or all of the 1950s, at any rate.)
Beach Packaging Design